Elliott Carter (1908 – 2012)

Harmony Book

E. Carter: Harmony Book (0)E. Carter: Harmony Book (1)E. Carter: Harmony Book (2)E. Carter: Harmony Book (3)E. Carter: Harmony Book (4)E. Carter: Harmony Book (5)E. Carter: Harmony Book (6)E. Carter: Harmony Book (7)
MaterialLibro didáctico (con partituras)
№ de artículo556197
Autor / CompositorElliott Carter
EditorNicholas Hopkins
Idiomainglés
Alcance384 Páginas
Año de lanzamiento2002
Editorial / fabricanteCarl Fischer
N.º del fabricanteCF -O5396PB
ISBN9780825846908
UPC0798408046903

Descripción

The unique character of Elliot Carter’s harmonic idiom has long been the subject of speculation and study. This extraordinary book is the key to the careful evolution of this aspect of the musical thinking process of one of the most influential American composers of our time. From 3-note chords to 12-note aggregations, Harmony Book explores the harmonic relations of the 12-note chromatic scale as employed by Mr. Carter since his decisive work of the 1960s.

Contenido

  • Editors' Preface
  • Sigla
  • The Combinatorial Art of Elliott Carter's Harmony Book
  • Consensus of Forte and Carter
  • Elliott Carter Talks about His Harmony Book
  • Chapter 1. Catalogue I: Catalogue of Intervals and Chords
  • Chapter 1. Catalogue I: Catalogue of Intervals and Chords
  • Chapter 1. Catalogue I: Catalogue of Intervals and Chords
  • Chapter 1. Catalogue I: Catalogue of Intervals and Chords
  • Chapter 1. Catalogue I: Catalogue of Intervals and Chords
  • Chapter 1. Catalogue I: Catalogue of Intervals and Chords
  • Chapter 1. Catalogue I: Catalogue of Intervals and Chords
  • Chapter 1. Catalogue I: Catalogue of Intervals and Chords
  • Chapter 1. Catalogue I: Catalogue of Intervals and Chords
  • Chapter 2. Catalogue II: All-interval Twelve-note Chords
  • Chapter 2. Catalogue II: All-interval Twelve-note Chords
  • Chapter 2. Catalogue II: All-interval Twelve-note Chords
  • Chapter 3. Synthesis I
  • Chapter 3. Synthesis I
  • Chapter 3. Synthesis I
  • Chapter 3. Synthesis I
  • Chapter 3. Synthesis I
  • Chapter 4. Synthesis II
  • Chapter 4. Synthesis II
  • Chapter 4. Synthesis II
  • Chapter 4. Synthesis II
  • Chapter 4. Synthesis II
  • Chapter 5. Synthesis III
  • Chapter 5. Synthesis III
  • Chapter 5. Synthesis III
  • Chapter 5. Synthesis III
  • Chapter 5. Synthesis III
  • Chapter 6. Synthesis IV
  • Chapter 6. Synthesis IV
  • Chapter 6. Synthesis IV
  • Chapter 7. Synthesis V
  • Chapter 7. Synthesis V
  • Chapter 7. Synthesis V
  • Chapter 8. Synthesis VI
  • Chapter 8. Synthesis VI
  • Chapter 9. Analysis I
  • Chapter 9. Analysis I
  • Chapter 9. Analysis I
  • Chapter 10. Analysis II
  • Chapter 10. Analysis II
  • Chapter 11. Analysis III
  • Chapter 11. Analysis III
  • Chapter 12. Analysis IV
  • Chapter 12. Analysis IV
  • Chapter 13. Analysis V
  • Chapter 13. Analysis V
  • Appendix 1. List of Intervals, Chords and Sigla
  • Appendix 2. The "Link" Chords
  • Appendix 3. Total Number of Chords Contained within Each Total Aggregate
  • Glossary of Terms
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