Score only
0 Full Score A3 - 1 Full Score - 1 Piccolo - 4 Flute I - 4 Flute II - 1 Oboe I - 1 Oboe II - 1 Bassoon I - 1 Bassoon II - 1 Clarinet Eb - 5 Clarinet I - 5 Clarinet II - 5 Clarinet III - 1 Bass Clarinet - 2 Alto Saxophone I - 2 Alto Saxophone II - 2 Tenor Saxophone - 1 Baritone Saxophone - 3 Trumpet I - 3 Trumpet II - 3 Trumpet III - 1 Horn I Eb - 1 Horn I F - 1 Horn II Eb - 1 Horn II F - 1 Horn III Eb - 1 Horn III F - 1 Horn IV Eb - 1 Horn IV F - 2 Trombone I C - 1 Trombone I Bb (TC) - 1 Trombone I Bb (BC) - 2 Trombone II C - 1 Trombone II Bb (TC) - 1 Trombone II Bb (BC) - 2 Trombone III C - 1 Trombone III Bb (TC) - 1 Trombone III Bb (BC) - 2 Baritone C - 2 Baritone Bb (BC) - 4 Baritone Bb (TC) - 2 Bas Bb (TC) - 2 Bas Bb (BC) - 2 Bas Eb (TC) - 2 Bas Eb (BC) - 4 Tuba C - 1 Stringbass - 1 Percussion I - 2 Percussion II - 1 Percussion III - 1 Timpani
Everybody knows that waltzes, marches and polkas were extremely popular in Vienna in the 19th century. But at least as popular was the quadrille which unfortunately has fallen into oblivion nowadays. It has its origins in the French dance music which explains the typical six part form. It is sheer entertainment and dance music in the shape of a medley. The composer used already existing tunes and could borrow with impunity melodies from contemporary composers.
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