Brian Dickinson (* 1961)

The Ears have Walls

An Approach to Ear Training for the Jazz Imroviser

B. Dickinson: The Ears have Walls, Ges/Mel (+OnlAu) (0)B. Dickinson: The Ears have Walls, Ges/Mel (+OnlAu) (1)B. Dickinson: The Ears have Walls, Ges/Mel (+OnlAu) (2)B. Dickinson: The Ears have Walls, Ges/Mel (+OnlAu) (3)B. Dickinson: The Ears have Walls, Ges/Mel (+OnlAu) (4)B. Dickinson: The Ears have Walls, Ges/Mel (+OnlAu) (5)B. Dickinson: The Ears have Walls, Ges/Mel (+OnlAu) (6)

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Para:
Voz [instrumento melódico]
Material:
Libro educativo (con partituras), audio online
№ de artículo:
477678
Autor / Compositor:
Idioma:
inglés
Alcance:
184 Páginas; 23 × 30,5 cm
Editorial / fabricante:
N.º del fabricante:
ADV 16308
ISBN:
9783892210870
ISMN:
9790206304859
UPC:
0805095163087

Descripción

This book is a comprehensive approach to ear training that will greatly improve every player’s grasp of harmonic, melodic and rhythmic concepts.

Although geared to the jazz improviser, this book will prove beneficial to all types of players and all instruments. The varied examples in this book cover extensive musical vocabulary starting from simple diatonic melodies and chord progressions, working through modal, bop and pentatonic ideas. Beginners to seasoned professionals will find that The Ears Have Walls can help them to become more fluent improvisers.The online Audio recordings offer hours of practice in hearing the chords, intervals and progressions a contemporary jazz player needs to be familiar with.

Brian Dickinson has used the ear training system detailed in this book over many years and it has proven to be very successful.

Contenido

  • Introduction
  • Chapter 1: Intervals and Three-Part Chords
  • Chapter 2: Four-Part Chords, Diatonic Melody
  • Chapter 3: Modes, Chord Progressions and Rhythm
  • Chapter 4: Ninth Chords, Melodic Minor and Modes of Melodic Minor
  • Chapter 5
  • Harmonic Minor Scale
  • Chord Progressions and Rhythm
  • Chapter 6: Chords to the 11th, Bop Scales
  • Chapter 7: Chords to the 13th, Diminished Whole-Tone and Half-Whole Diminished Scales
  • Chapter 8: Minor, Major 7, Major 9 Chords; Whole-Tone, Whole-Half Diminished, and Augmented Scales
  • Chapter 9: Upper Structure Voicings, Pentatonics
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