Contenido
- Key to Symbols and Notation
- Tuning the Guitar
- First Rumba
- Simple Rumba with Ami7 chords
- Alternative Simple Rumba Patterns
- Second Rumba
- A Modern-Style Rumba Technique
- Index Finger and Apagado (Buler¡as from Lebrija)
- The 4-Stroke Rasgueo (in Verdiales)
- Thumb Technique
- Verdiales Falseta
- Verdiales Song
- por medio Chords
- Tientos Chords and Rhythm
- First Tientos
- Ligado Exercise
- Falseta for Alegr¡as por Rosas
- 4-Stroke Rasgueo in Tangos
- Tangos por arriba (El agua se va)
- Song Tune (picado)
- Picado Exercises
- Zapateado Falseta
- Another Zapateado Falseta
- A Fast Triplet Ending
- More Picado Exercises
- Ligado in Taranto
- The Arrastre
- Taranto
- Comparing the 4-Stroke, 5-Stroke and 3-Stroke Rasgueos
- Introduction to the Sole
- Alegr¡as Escobilla
- p, i, m Arpegio
- Back and Forward Arpegios
- Campanela Arpegio
- Campanela in Zapateado
- Arpegios in Farruca
- 'Continual' Rasgueo, Alzap£a
- The Triplet Rasgueo
- Rasgueo followed by the Thumb
- The Flamenco Tr‚molo
- Exercises for Tr‚molo
- Fandangos por medio (SLOW)
- The Comp s of Sole
- Continuing the Rhythm of Sole
- Chords for Sole de Alcal
- Adding Interest
- Adding Syncopation
- Simpler Ritmeo
- Transition to Falsetas
- Bass-side Golpes
- Simple Falseta
- Thumb Falseta
- Repeated-Note Falseta
- Arpegio Falseta
- Wistful Falseta
- Falseta to Open the Fingers
- Another Arpegio Falseta
- Picado and Arpegio Falseta
- Tr‚molo Falseta
- LA CA¥A
- Falseta for La Ca¤a
- Polo
- Sole por medio
- More Sole por medio
- Basic Alegrias por arriba
- Chords and Ritmeo for Singer
- ?A More Advanced Form?
- A Modern Entrada
- Subida
- Silencio to Escobilla
- Escobilla
- Transition to Buler¡as
- Buler¡as Falseta
- Buler¡as de C diz
- The Silencio in the Dance
- Falseta A
- An Alternative Ending for Falseta A
- Falseta B
- Falseta C
- Falseta D
- More Falsetas
- Falseta de Ni¤o Ricardo
- Falseta de Ram¢n Montoya