Guitar Ergonomics

A Wholistic Perspective of Technique Through Repertoire

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Para:
Guitarra
Material:
Libro educativo (con partituras y tablaturas)
№ de artículo:
827535
Dificultad:
medio
Idioma:
inglés
Alcance:
136 Páginas
Año de lanzamiento:
2021
Editorial / fabricante:
N.º del fabricante:
MB30778
ISBN:
9781513465623

Descripción

As the title of his book attests, guitarist and musicologist Mart n Pedreira presents a methodical treatment addressing the most highly refined guitar techniques. In my opinion, we should not confuse the methodical with the routine, because the latter does not facilitate the completion of any task. We applaud Pedreira for his rigorous vision of instrumental practice and his meticulous attention to the physical-motor aspects of the instrumentalist. This reference book is worthy of frequent consultation for its valuable suggestions. Leo Brouwer This comprehensive reference book integrates the historical, structural, technical, and ergonomic aspects of classic guitarperformance with the individual player’s cultural, intellectual, creative, and emotional facets in what the author calls a psychophysiological approach to interpretation. In addition to its emphasis on ergonomic posture and technique, the book includes over 200 short musical excerpts by Sor, Giuliani, Coste, Tárrega, Barrios, Montoya, Ponce, Pujol, Villa-Lobos, Rodrigo, Brouwer and others— illustrating practically every aspect of classic and flamenco guitar technique. This unique Wholistic Perspective of Technique Through Repertoire will be useful to teachers, aspiring composers, and to students and professionals forming recital and concert programs. Given the author’s extensive survey of technique and repertoire from an ergonomic point of view, it is likely that even seasoned concert artists and teachers will find something new of intense interest to share with their audiences and students. No classic guitarist’s library would be complete without this landmark book! The author’s goal in presenting this multifaceted approach is to provide theoretical and practical coordinates for improving guitar interpretation while acknowledging the player’s intellectual and emotional contributions. While there is no companion recording for this book, many of its examples can be heard in their entirety on YouTube. The inclusion of numerous quotes from renowned guitar virtuosos and other instrumentalists, plus statements by non-musician artists, scientists, and psychophysical experts from the Renaissance to the present day — emphasize the wholistic nature of this book. Readers

Contenido

  • Posture, Instrument Placement and Breathing
  • Normal Posture and Mobility
  • Traditional Placement of the Guitar
  • Psychophysical Effects
  • Slanted Placement
  • Tilting of the Soundbox
  • Other Issues Related to Posture with the Instrument
  • Remodeling Instrument Placement
  • Breathing
  • Abdominal Breathing
  • Breathing Rhythm
  • Breathing versus Excitement
  • The Right Hand
  • The Postural Frame
  • Forearm Support Point
  • Hand-Forearm Placements
  • Aligned Placement
  • Intermediate Placement
  • Curved Placement
  • Alignment of the Fingers and Roundness of the Hand
  • Sensopostural Patterns
  • Physical-Acoustic Phenomena and Tone in Performance
  • Learning the Sound of the Instrument
  • The Plucking Mechanism
  • The Plucking Cycle
  • Contact with the Strins
  • Fingernail Attack
  • Fingertip/Nail Attack
  • Fingertip Attack (Thumb)
  • ÿPlanting: Coordination and Synchrony for a Balanced Mobility
  • Simultaneous Planting
  • Sequential Planting
  • Grip/Thrust
  • Free and Rest Strokes
  • Fixation (Muscular Integration in Plucking)
  • Exit and Relax
  • Physiological aspects that contribute to relaxation in both hands
  • Sensoperceptive Exercises for the Right Hand
  • Stimulating the Perception of Contact
  • Perception of Grip
  • ?Silent Plucking? (Simultaneity with the Thumb)
  • Rapid Repositioning
  • ?Tick Tock: (Fingernail Attack)
  • Release from the Bottom
  • Perception of Thrust (rest Stroke)
  • Exploring and Activating Relaxation
  • Tonicity Patterns (Flexibility of Muscle Tones)
  • Better Perception, Fewer Repetitions
  • Use of Voluntary Fixation in Plucking
  • Fixation with i-m-a
  • Fixation with the thumb
  • Applications
  • Fingering: Functional
  • Regularities and Options
  • Finger Crossing
  • The Little Finger
  • Artificial Harmonics
  • Five-Note Chords
  • Arpeggios
  • More About the Thumb
  • Timbre
  • Twin-stroke
  • Support-Planting
  • Displacements
  • Control of Resonance by Damping
  • Right-Hand Articulation Techniques
  • Legato and Staccato
  • Rest/Free Alternation
  • ?Vertical Articulation?
  • Intervals
  • Arpeggiated Chords
  • Dynamic Enhancement (Highlighting Notes)
  • Strumming (Rasgueado)
  • Preparatory Exercises
  • Functional Relaxion in Strumming
  • The Left Hand
  • Hand Roundness
  • Hand-Forearm Alignment/Control of the Arm Angles
  • Hand Rotation/Control of Supination
  • Left-Hand Sensopostural Pattern
  • The Placement-Release Cycle
  • Contact with the Strings
  • Balance of Positioning
  • Thumb Placement
  • Palm View
  • Side View
  • Thumb Position Readjustments
  • Placement of Finger
  • Planting in Linear Passages
  • Finger Pressure (Pisado)
  • Weight and Flotation
  • Release (Relax) and Exit
  • Position Shifts
  • Types of Position Shifts
  • Movement Transmission in Longitudinal Shifts
  • Hand Presentation on the Fretboard and Transverse Shifts
  • Perceptual Guidelines for Mobility in Shifting
  • Perception of Effort
  • Visual Orientation
  • Reference Points on the Fretboard
  • Visualization Strategies
  • Practice of Shifts by Leap
  • Reducing Noise in Shifting
  • Other Means for Precision and Economy of Effort in Shifting
  • Mechanics of Support Point
  • Pivot Finger
  • Avoiding Successive shifts in Opposite Directions
  • Using Less Supination in Linear Passages
  • Progressive Placement and Release of Chord Positions
  • Barre
  • Roundness of the Hand in Barre
  • Using Selective Pressure in Barre Chords
  • Reshaping the Barre
  • Increased Economy of Effort
  • Using the Weight of the Arm
  • Intermittent Release of Pressure
  • Selective Pressure in Linear Passages
  • Barre in Advance
  • Partial Barre
  • Hinge Barre
  • ?Fourth-Finer Barre?
  • Extensions
  • Preparing Extensions
  • Alternatives
  • Left-Hand Articulation Techniques
  • Legato by Sustaining Resonance
  • Campanella
  • Direct use of Sympathetic Resonance
  • Slurs (Ligados)
  • Planting when Playing Slurs
  • Cross-String Slurs
  • Rotation of the Hand in Slurs
  • Staccato
  • Slur-Staccato
  • Glissando
  • Fast Glissandi : From a note without fixed duration to another note with Fixed duration --- Between two notes with fixed duration ---Portamento
  • Short Portamento
  • Practice of Short Portamento
  • ÿVibrato
  • Prolonging the Sound
  • Epilogue
  • Appendixes
  • A Brief Anatomical and Physiological Outline
  • Study of Symmetries of Body Posture Using Profilometry
  • Pre-Warmup Exercises
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